Friday, December 11, 2009
Kanye,Kanye,Kanye
Kanye: WOW... THIS IS REALLY FLATTERING... I'VE HAD SOME UPS AND DOWNS THIS YEAR, WELL ACTUALLY THIS DECADE. JUST SEEING THIS COVER TAKES ME BACK TO THAT TIME OF MY LIFE. I REMEMBER HOW MUCH PAIN AND LOVE WENT INTO THIS ALBUM. NO ONE SAW IT COMING. THIS PROJECT WASN'T ABOUT ME, IT WAS ABOUT A TIME IN PEOPLES LIVES WHERE PEOPLE FORCE OPINIONS ON YOU AND YOU HAVE TO MAKE CHOICES FOR YOURSELF. WE LOVED 50 CENT BUT WE WANTED TO BE THE YANG. WE WANTED TO WEAR PINK POLOS AND RAP ABOUT BEING HURT INSTEAD BEING INVINCIBLE. THERE WAS A CORE GROUP OF PEOPLE WHO WORKED ON THIS ALBUM EVERYDAY.... PLAIN PAT, JOHN MONOPOLY, DON CRAWLEY, ANTHONY KILHOFFER, MANNY MARROQUIN, JOHN LEGEND, DEVON HARRIS, RYHMEFEST, GEE ROBERSON, HIP HOP, AL BRANCH, DAMON DASH, GABE TESORIERO, CRAIG BAUER, GLC, OL' SCHOOL ICE GREE, CONSEQUENCE, B NICE AND MY MOM. I WAS MOST INSPIRED BY THE MISEDUCATION OF LAURYN HILL AND I LISTENED TO THAT ALBUM EVERYDAY WHILE WORKING ON MY DEBUT. THANK YOU FOR THIS ACKNOWLEDGMENT AND FOR PUTTING "THE BLUEPRINT" ON THE LIST ALSO. I LOVED "THE LOVE BELOW' AND "GET RICH OR DIE TRYING" ALSO. THEY BOTH EQUALLY DESERVED THE NUMBER ONE SPOT IN MY EYES BUT THERE CAN ONLY BE ONE NUMBER ONE!!!
Raekwon's Cuban Link 2 makes Tmes Magazine's Top Albums of the Year list....
The sequel to Raekwon's much loved 1995 solo debut picks up as if no time has passed. He's still rhyming about cocaine deals, hustlers and urban menace — which makes for an elevated degree of difficulty, since a song about the production of crack ("Pyrex Vision") should be not only impotent in 2009, but deservedly so. The reason it works, like all of Cuban Linx, Pt 2, is that Raekwon is a poet of grime, a storyteller who understands that rap is less about an easy hook than the collision of carefully chosen words. He's also a melancholic who prefers replaying the circumstances of growing up in hell ("All my life around drug niggas, villains who want millions/ Niggas with them hoodies on with Teks in the building") to celebrating the trappings of success. With production from nearly every top name in hip-hop, it's a spooky and sad monograph — not lovable, but quite powerful.
Read more: http://www.time.com/time/specials/packages/article/0,28804,1945379_1943810_1943824,00.html#ixzz0ZO9grRLC
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